It's been said that a good movie is either about extraordinary people in normal circumstances, or about normal people in extraordinary circumstances. Campbell Scott's Off the Map is an extraordinary film about normal people in normal circumstances, one I was pleasantly surprised by and thoroughly enjoyed when I saw it this weekend on the big screen.
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Tag: review
I attended my first film festival ever this past weekend in Madison, Wisconsin. As someone who generally enjoys movies and sees the art as an important cultural phenomenon (not to mention being interested in writing and making them myself), it was a real treat to participate in an event that is shaped entirely around that phenomenon and the people who love movies.
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After seeing Bill Murray on Letterman last week and remembering how much I enjoyed Lost in Translation, I was excited to see his new flick, The Life Aquatic with Steve Zissou, which came out this week.
I'm having a really great time right now reading/listening to Bill Bryson's book A Short History of Nearly Everything. The book itself is very intriguing - a lively and engaging narrative of how our universe came to be and where it is now, the sciences and people who have explored those questions for so long, and the amazing oddities and subtleties about how our world works. It's a little geeky, but definitely written for non-geeks who want the Big Picture in the biggest sense of the word.
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I'd like to sing the praises of artist Vienna Teng. Not only is her music outstanding (more on that in a moment), but her story is quite interesting as well, at least to me. Teng studied Computer Science at Stanford University, and then worked as a software engineer at Cisco Systems in San Francisco. As a fellow geek, I have to admire that part alone. But then Teng quit her tech job to prepare for the independent release of her debut album, Waking Hour, which is a really wonderful mix of striking lyrics, piano ballads, and Teng's clear, beautiful voice. Think Tori Amos without the drama and screeching. The track "Soon Love Soon" is my current favorite, but as I keep exploring the album, I'm always finding new kinds of musical beauty. Since the release of WH, she's been on Letterman, CNN, NPR, and toured with Shawn Colvin, and seems to have quite a growing fan base. Whether or not you appreciate the tech-head-turned-singer story that might inspire geeks everywhere, consider checking out Teng's work (available for download through the iTunes Music Store).
I saw the movie Phone Booth over the holiday weekend; I commend it to you, though less so for the movie itself than for the central question that it finds such a creative way to ask:
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This analysis necessarily discusses some plot and thematic details of the book After Dachau by Daniel Quinn. I have made every attempt to refrain from revealing too much or spoiling the experience of reading the book for the first time, but picky readers be warned.
After reading just the first sentence of After Dachau, I was sure I had identified the major themes, direction, and message-delivering vehicle that Daniel Quinn would use in his new book. This was slightly comforting; I'd read that his latest work was radically different, obtuse, and unrelated to its predecessors. Given that his other books had significantly challenged the way I look at the world, and that I'd become (too) comfortable with that challenge, my initial reaction was my own attempt to tie everything together, to find central, comfortable ideas that I could hold onto, nod and agree with, and make my own.
But that, of course, is not the point. Quite the opposite, actually, and the book is anything but formulaic.
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