Kelly and I had the great opportunity to spend the last few weeks living in Washington, D.C. and exploring the surrounding region. Some photos and a few observations follow:
I suspect that reading Tony Saghbiny's book The Millennium Curse: Why Activism is Failing might be a disturbing experience for you. It was for me.
If you consider yourself an activist in any form, there's a good chance that the book will challenge some aspect of the way you think about what kinds of activism are useful and effective. If you're proud of the successful Facebook or Twitter campaigns you've orchestrated to raise awareness about a certain issue, you'll probably be made uncomfortable. If you have invested heavily in becoming the change you wish to see in the world, you might feel insulted or deflated. If you think of yourself as a pacifist, you might feel like hitting something. And if you're pretty content with the status quo, or if you're not someone who appreciates activism in any form, it might be upsetting to think about the very existence of such a book, let alone some of its implications.
The Millennium Curse tackles head on the question of why much of modern activism is proving itself to be largely ineffective.
I had a chance to watch the holographically generated performance by Michael Jackson at the recent Billboard Music Awards, and if you haven't seen it already and have any interest in such technology (or even just music and dancing), it's worth a watch:
Of course producers and special effects experts have been resurrecting and recreating performers, celebrities, actors and historical figures for some time now, so having the technology to make a deceased musician perform a new song live on stage is perhaps an expected (albeit impressive) next step in that process.
Still, I wonder if we'll reach a point soon where it might be helpful to have performers declare what advanced tools and technology are being employed to produce a given entertainment experience. Just as we label some of our food as having come about through one production process or another, maybe we will want or need an "ORGANIC" label for our live shows that meet some appropriate standard.
One of the main reasons I get excited about Internet technologies is that they amplify the power of the written word and other kinds of creative publishing. Modern online tools enable bloggers, software developers, poets, journalists, novelists, chefs, filmmakers, marketers, photographers, artists, scientists, organizers and many other kinds of people to bring their creations to the world, at a constantly decreasing cost. And even through all of the cultural transformations we've seen spurred on by the Internet, the power of the written word remains - publishing can still change minds, start movements, spark connections, capture beauty, reshape lives.
Next week I'm joining Automattic, Inc., the company that makes WordPress, runs WordPress.com, and provides a bunch of other publishing-related tools and services. I'm joining the WordPress.com VIP team as a full-time VIP Wrangler, where I'll be helping to provide support, hosting, training, and other services to some of the biggest and best WordPress sites on the web (NY Times, TED, CNN, Time and more).
There are many reasons I'm excited about this, including:
As a follow up to my last post about what's happening with Summersault, I thought I'd share a smattering of historical stats related to the life and operations of the company:
In November, I posted about what's been happening with me professionally and with my company, Summersault. I appreciate everyone who has asked for updates since, knowing I haven't always had clear or concise updates to give. In case we haven't talked in person, here are a few of the highlights five months later:
In December 2013, I completed the transitions of staffing that I talked about in the previous post, such that I became the sole remaining person at the company. I was grateful that my now former co-workers were all able to find new job opportunities throughout that transition.