Wednesday night I attended a screening of The Ambassador, a documentary about John Dimitri Negroponte, currently the U.S. Director of National Intelligence and formerly U.S. ambassador to Honduras, the United Nations and Iraq. Negroponte has been a controversial figure due to his involvement in the Iran-Contra Affair and human rights violations in Honduras, and the film took on those controversies by documenting Negroponte's career as a diplomat, his public and private statements about the accusations made against him, and the forces that influenced his path all along.
Continue reading "The Ambassador"
Category: reviews
When I first discovered David Gray, it was by encountering his song Please Forgive Me, which was quite impressive, stunning maybe, to me as a song in its own right. But when I got the full album it was on, White Ladder, I realized that it was part of a package deal that achieved so much more as a nuanced whole than any of its parts did alone. This was striking to me, as so few albums these days carry a lot of obvious interconnection of their songs, at least in a way that isn't only obvious if you read every lyric and the "behind the music" bio of the artist. Gray's songs seemed to talk to one another, answering questions that the others had asked, flowing back and forth around recurring themes that the words and the melodies created together. It was as much of a "listening experience" as I'd had with any music in a while, and he was consistent in that sense when I saw him perform at the Electric Factory in Philadelphia (right before he was "big" in the US...friends tell me he had a great following elsewhere well before that). Fortunately for me, Gray's newest album, Life in Slow Motion, is another experience filled with great inter-song integrity and a striking sound that seems to reveal a new layer each time I listen.
Continue reading "David Gray's Life in Slow Motion"
For the last several weeks I have been participating in a broad stroke study of law enforcement practices on city streets across America. I have done ride-alongs with police officers from coast to coast - Portland, Oregon to Austin, Texas to Cincinnati, Ohio to Philadelphia, Pennsylvania. These ride-alongs are usually in the form of 22 minute segments during which I am transported to the ride-along locations using a technology called "Court Television." As the ride-alongs start to blur together and the study comes to a close, I thought I would share some of the conclusions that have come out of the experience, in no particular order:
Continue reading "Everything you need to know about Cops"
The Constant Gardener is surely one of the best films I've seen in a while. It's easy to forget that such a thoroughly high standard of moviemaking is being observed out there somewhere, so it's always refreshing when beautiful and touching exceptions like this one come along. It's even better when you're not expecting it - I went into the theater with only a vague notion of what it was about and a recommendation from a friend who had been to Africa, and was just swept away.
The story is epic but one you can easily bite into - it takes us through the politics and personal pain of the AIDS crisis in Africa, and the people, companies, and governments that play a part in hurting or helping that issue. It's absolutely relevant up to the present day situation, but it doesn't come at you with Michael-Moore-like swings to your head with blunt declarations of shocking facts (though the end result may be the same). Instead, it wraps you up in the personal journeys of two people who are there to do what's right, and encounter all manner of vice and confusion along the way. "Doing the right thing" is nothing near a black-and-white consideration here - by the end of the movie we see the perspectives of the people of Africa, local police and civic leaders, the aid workers, the diplomats, the drug companies, the Western governments, all of the people caught up in every part of the process - and though we may have gut feelings about who are the good guys and bad guys for those two hours, no clear solutions even begin to emerge for the larger problems at hand.
Through all of this, the main characters - brought to life so stunningly and with such heart by Ralph Fiennes and Rachel Weisz - are determined to find the truth, seek answers, and remain true to their passions and their values and their love, no matter the risk. Watching them do so is a moving experience in itself, and seeing it set against the very real and visceral backdrop of the modern struggles of today's Africa is just amazing.
I generally avoid national bestselling political books that are just consolidated accounts of the political soap operas that go on in our nation's capital, designed to make more buzz and more money for the journalists or whistle-blowers or former aides that happened to keep really good notes during the experience. But once in a while there are some pretty compelling publications that appear in that genre, and I can't help but dive in. Bob Woodward's Plan of Attack certainly emerges as an example of a page-turner for anyone interested in national politics, the executive branch's decision making process, and especially how the U.S. ended up invading Iraq.
Continue reading "Plan of Attack by Bob Woodward"
(You can listen to the MP3 audio of this entry, too.)
Back in May I blogged about how blogs are different from the conventional process of putting up content on a website. I have a similar sentiment about the up-and-coming phenomenon of podcasting: people have been putting sound clips on the web for a long time, but a certain set of environmental factors have emerged that are really making this particular incarnation take off.
Continue reading "Podcasting, another non-fad fad"
It excites me much more than it should that I've found him after all these years: Ashton Smith. You know, the guy. The guy with the voice. The guy with the voice that narrates over almost every movie trailer, commercial, television show promo, and network news teaser that we see/hear. I didn't think it was possible that it was all the same guy, but it is. Ashton instills solemnity and foreboding into every word he speaks. And yet, he has the tender inflection that can make us rush out to spend money anticipating the best love stories of summer films. Ashton, send me a CD of your greatest hits! Better yet, do my voicemail greeting?
It's been said that a good movie is either about extraordinary people in normal circumstances, or about normal people in extraordinary circumstances. Campbell Scott's Off the Map is an extraordinary film about normal people in normal circumstances, one I was pleasantly surprised by and thoroughly enjoyed when I saw it this weekend on the big screen.
Continue reading "Off the Map"
I attended my first film festival ever this past weekend in Madison, Wisconsin. As someone who generally enjoys movies and sees the art as an important cultural phenomenon (not to mention being interested in writing and making them myself), it was a real treat to participate in an event that is shaped entirely around that phenomenon and the people who love movies.
Continue reading "Report on Madison, Wisconsin Film Festival"
After seeing Bill Murray on Letterman last week and remembering how much I enjoyed Lost in Translation, I was excited to see his new flick, The Life Aquatic with Steve Zissou, which came out this week.